Posts tagged ‘35mm’

Julia Marchese’s All Killer No Filler Halloween Hullabaloo!

 

 

Halloween is my favorite holiday – I love dressing up, getting candy, listening to ghostly tunes and watching scary movies. (I mean, I always like these things, but especially around Halloween!) 

Every year I try to do special things and really enjoy the holiday to its fullest – and this year is certainly going to be my best Halloween yet. 

 

The incredible Somerville Theatre in Massachusetts (who I have programmed film series for the last two summers – The Summer of Love series in 2017, and the female half of their Play it Cool series in 2018) asked me to program the week leading up to Halloween this year, and I am simply over the moon about it – a horror hounds dream! 

 

The best part about it is I will be attending the screenings as well! I’ve never been to the theatre so I am chuffed beyond belief to be able to watch all of these wonderful films with you! 

Ladies and gentlemen, won’t you join me for my All Killer No Filler Halloween Hullabaloo?! 

 

 

SCHEDULE:

 

*Thursday Oct.24: BATTLE ROYALE at 7:30 , JU-ON: THE GRUDGE at 9:45

 

*Friday Oct. 25:  FADE TO BLACK at 7:30 , CUTTING CLASS at 9:40 , PSYCHO at 11:45

 

*Saturday Oct. 26: FIRESTARTER at 7:30 , THE DEAD ZONE at 9:45 , CARRIE at MIDNIGHT

 

*Sunday Oct. 27: A NIGHTMARE ON ELM ST at 6:30 , WES CRAVEN’S NEW NIGHTMARE at 8:30

 

*Monday Oct. 28: FROZEN (2010) at 7:30

 

*Tuesday Oct. 29: FREAKS, with short subjects at 7:30

 

*Wednesday Oct. 30: TEXAS CHAINSAW MASSACRE at 7:30

 

 

 

 

Battle Royle & Ju-On – J-Horror Double Feature

 

 

The the early 2000’s, Japan was crushing the new horror wave with its violent, unique, terrifying visions. Battle Royale (2000) smashed its brutal way around the globe, shocking everyone with its barbaric premise and dark sense of humor,  influencing countless other movies.  If you’ve never seen this film on the big screen before, hope you’re ready for an intense ride! Ju-On (2002) is my absolute favorite of the J-Horror craze – with disturbing images that won’t leave your mind and a new spin on the old haunted house trope, this film is scrumptiously frightening.

 

 

 

 

Fade to Black, Cutting Class & Psycho – Killer Crushes

 

 

 

These three fantastic films are linked together by the fact that I have an intense crush on each of the killers in the film – I know, I know, kinda weird to admit – but when you see the actors portraying each one, you’ll understand. Dennis Christopher plays the shy cinephile loner Eric Binford in 1980’s Fade to Black, an under seen film that I show to everyone I meet, with a great concept and terrific lead performance. Another under seen gem, 1989’s Cutting Class, might be best known for being one of Brad Pitt’s very first lead roles, but I’m more interested in Donovan Leitch’s off kilter, bowling shoes wearing teenage psycho Brian Woods. And lastly, but certainly not leastly, Alfred Hitchcock’s 1960 masterpiece Psycho, with that voyeuristic mama’s boy that gets my heart beating a little bit faster, that adorable psychotic Norman Bates, played by the incredible Anthony Perkins.

 

 

 

 

Firestarter, The Dead Zone and Carrie – Stephen King Pyro/Telekenesis

Triple Feature 

 

 

I am, to put it mildly, super obsessed with Stephen King (ask me about my Dark Tower quest!) and his stories of people with special powers they can’t quite control are some of my very favorites. We start off with 1984’s Firestarter, with Drew Barrymore giving a powerhouse performance as the pint sized pyrokenetic Charlie McGee – this movie is so good – and there would be no Stranger Things without it. Then we flip on over to Cronenberg’s 1983 film The Dead Zone, where Christopher Walken stars as harmless school teacher turned paranoid psychic John Smith – whose visions are terrifying, but not as terrifying as the fact that he can’t quite see if they’ll come true or not. We end with Brian de Palma’s 1976 classic Carrie, starring Sissy Spacek as the bullied, broken Carrie White. The film is meticulously crafted and directed, with star turning performances and is the movie that launched Stephen King’s name into the stratosphere, so we should all give it the mad respect it deserves.

 

 

 

 

Nightmare on Elm Street & Wes Craven’s New Nightmare – My Favorite Final Girl 

 

 

My podcast, Horror Movie Survival Guide, is all about how to survive horror films and become the final girl, and all of that final girl love stems from one character – Heather Langenkamp’s fiery Nancy Thompson from the Nightmare on Elm Street series. Nancy in 1984’s Nightmare on Elm Street (my very favorite horror films of all time) is such a terrific role model – fearless, loyal, smart, and most importantly – self-reliant – Nancy is always fun to watch and admire, but watching Heather Langenkamp play herself in the superbly meta 1994 film Wes Craven’s New Nightmare is even juicier, and watching them back to back is absolute perfection.

 

 

 

 

Frozen

 

 

Adam Green’s 2010 film Frozen is super potent and packs a powerful punch – a hyper intense watch, this film brings out of control amazing performances, a tight, super inventive script and Green’s fun directing style to create a nonstop white knuckle ride from beginning to end. To me, the best horror films are those that focus on strong characters that I like and identify with, going through trying situations and pushed to their limit, with lots of deep dialogue – this film is all of that and more.

 

 

 

 

Freaks 

 

 

Tod Browning’s 1932 film Freaks is a classic for a reason. Yes, it’s scary, but not for the reasons you might think and it’s also charming, heartbreaking and life affirming. Browning himself performed in the circus as a youth and had great affection for his cast, which comes through in the finished film. A wonder to behold (especially on the big screen), this film is so well directed and a must see for every film fan. And because Freaks is only a little over an hour, we’re gonna throw in some short Halloween themed surprises before the movie!

 

 

 

 

Texas Chainsaw Massacre 

 

 

I’ve watched hundreds of horror films in my lifetime, and I can say with great confidence that Tobe Hooper’s 1974 film Texas Chainsaw Massacre is the scariest horror film ever made. No other film matches the grainy, gritty, dirty, snuff film feeling of this movie, with its unknown actors, bare bones budget, lack of soundtrack and some of the most intense villians ever put to screen. If you’ve never seen this film on the big screen with an audience, get ready for a whole different experience than watching it at home. And if you’re looking for the perfect horror film to scare the hell out of you and get in the mood for Halloween, this is the film. 

 

Summer of Love

 

 

So very excited to announce that I have been asked to program a summer series at the amazing Somerville Theater in Massachusetts – entirely on 35mm! 

 

You can read about what I chose to program and why below:

 

“2017 heralds the 50th anniversary of 1967’s famed “Summer of Love”, where every hippie in America hightailed it to dear old San Fran to turn on, tune in and drop out. To stand up to the generation before them and say: “No. We don’t like your way. We are going to try something different.” 

 

This counterculture lived in incredible, bold new ways in 1967 – communally, out front and with love for free, and with sincere hope for true equality.

 

They listened to incredible music – Sgt, Pepper’s Lonely Hearts Club Band and Their Satanic Majesty’s Request were two of the dozens of mind blowing releases of that year.

 

They ingested incredible drugs – like Acapulco Gold and Owlsey’s outta site LSD.

 

But most importantly, the hippies were genuinely trying to do a truly incredible thing – to get the world to simply stop fighting and love one another.

 

Let’s say that again. Simply stop fighting and love one another.

 

In 1967 it was a radical idea to strive for, and sadly, now, in 2017 – 50 years later – it still is.

 

When Ian Judge very kindly asked me to curate some films this summer, he generously gave me absolute carte blanche on what I could program.

 

And I chose to program four films that will let you time travel back to 1967, and take a snapshot of the world of film that year.

 

We start with Roman Polanski in a carefree mood, having fun and slaying undead in THE FEARLESS VAMPIRE KILLERS.

 

Next is one of my very favorite films, with all of the sex and drugs and heartlessness of show business on glorious, lurid display – VALLEY OF THE DOLLS.

 

Los Angeles counterculture gets exploited, and the grown ups get put in their place in RIOT ON SUNSET STRIP

 

And lastly, Godard puts his crazy, out of control stamp on the era in the under seen WEEKEND

 

I hope when you come to these films, you’ll put away your cell phone and mentally transport yourself back 50 years.

 

The 35mm projector will spin to life just as it did then, and when the images start dancing on the screen, pretend it really is 1967.

 

Let the films show you the people, the colors, the sound and the psychedelic sights of 1967. Let yourself be carried away by the counter culture, and let them whisper their battle cry in your ear:

 

Simply stop fighting and love one another.

 

Peace and love, Julia Marchese”

 

 

If you live in the Somerville area and would like to attend, you can buy tickets at the links below:

 

Fearless Vampire Killers

 

Valley of the Dolls

 

Riot on Sunset Strip

 

Weekend 

 

Thanks again to Ian Judge and all of the other cool cats at the Somerville for giving me this bitchin’ opportunity! Long live 35mm! 

Living the Dream

I had a moment of pure joy today.  I was sitting in my awesome living room in the rad Hollywood apartment I share with my amazing boyfriend, watching Glee on Netflix (I heart you Cory Monteith RIP), and addressing countless envelopes to send out the soundtrack to Out of Print for my Kickstarter backers. I looked up and thought – I am exactly where I want to be right now. I smiled and took a celebratory sip of my Mello Yello.

 

I have had a few film festival rejections the last few weeks –  and they are no fun for anyone. And although I’ve had some bad days, I feel like a positive change is coming just around the corner.  I feel like I am standing on the edge of a giant cliff, about to finally take the next step off into the unknown. Once Out of Print premieres and begins to gather up steam, my life is going to go in a crazy new direction – one that I am so excited to discover, no matter what happens with the film.  The waiting to hear back from festivals has been killing me, but Ive taken this pent up energy and using it to write treatments as many ideas as I can  – so that if, and when, I am asked “what I have coming up next” I will have lots of answers – A novel, a couple of screen plays, documentaries, a TV show, 35mm storage solutions, etc – so I feel like this stagnant period has actually been productive.

 

I am so interested to see if my film speaks to audiences and inspires them to seek our their local cinemas . THAT is the goal of my film. To show people how important community is when it comes to cinema.  And to make every person who supported me along the way – all of my Kickstarter backers, my cast and crew, my friends and family, the folks helping me make my 35mm print, everyone – proud. When I first started working on this film, the thought of having to make all of these people proud terrified me. How could I possibility make a film worthy of everyone? But now I see that all anyone wants is for me to make the best film I can possibly make – nothing more. And I think I can say in all honesty that I made that film.

 

After waiting so restlessly for  “my future to begin” for so many months, today really opened my eyes to the fact that by focusing on the future, I am missing out on just how groovy my present is. Living with the man I adore in a sweet Hollywood pad with all of the VHS and vinyl a girl could ask for, sending out CD’s of the soundtrack (composed by my amazing older brother) for the feature length documentary that I raised over $80,000 to make and which will make its world premiere in the next six months. Yessir. I’d say no matter what the future may bring, I’m a lucky girl – right now.

Waiting…

Out of Print has been submitted to a total of 8 festivals – so far. Sundance, SXSW, Tribeca, Hot Docs, Atlanta, Omaha, Seattle and the American Doc Film Festival. Sundance would be the first festival chronologically, in January. I should hear within the next two weeks whether or not my film is accepted to Sundance or not, and the waiting is absolutely killing me.

 

 

My future as a filmmaker hangs in the balance and I will know soon enough a hint as to how my next year will be. Most film festivals want your film to world premiere at their festival and frown upon showings beforehand. (Which is why there hasn’t been a screening of the film as of yet. I hope to do one next year at the New Bev…) I would be more than thrilled to premiere Out of Print at any of the festivals listed above, but since Sundance is the first fest of the year, let’s talk about that. 

 

 

Sundance is THE film festival. If your film gets accepted (and the odds are rough. almost 1,700 feature-length documentary films were submitted to Sundance in 2013, only 40 are selected to screen.) you will definitely gain attention. So I know that my life will be significantly different if I am rejected or accepted to Sundance. And I will (or will not) be getting a phone call in the next 10 days or so that will set my life down one path or another – can you imagine waiting for that phone call since August??

 

 

I do have high hopes for the film. I think I did the best job I possibly could and I think the results are a film that is funny, sad, educational, goofy and sincere. A film that smacks of my personality. A film that fights with all of its core for revival cinema and 35mm.

 

 

Of the few friends and family that have seen it, all of the reviews have been overwhelmingly positive and every single one has said that it makes them want to go to the New Beverly Cinema – AND to their other local revival houses, so I feel like I have done my job. 

 

And – this will sound corny as all get out – but I genuinely want the movie to succeed so that, if nothing else, it will make people interested in their local cinemas again –  THAT is the ultimate goal. 

 

I am also super excited to announce that I am in talks right now with some incredibly lovely fellows over at Kodak, Fotokem and Digineg about making a 35mm print of Out of Print!! I figured a film that argues so hard for 35mm film exhibition can’t be shown on digital, right?? I am so fricking excited about this and will keep everyone updated – but can you imagine premiering Out of Print on 35mm?? Eek!!

 

 

Thanks for all of your continued support and loyalty – so very appreciated. Keep your fingers and toes crossed for me. Viva la 35mm!!

 

 

Creating a Cult Hit…

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Every film lover has a handful of super obscure films that they love. Films we foist on our friends at movie nights,  films that – when we meet another person who knows it – feel like friends. Films that should have a cult following, but somehow slipped through the cracks.

 

Tim-Robbins-John-Cusack-Tapeheads

 

One of those films for me is TAPEHEADS, released in 1988, starring real life pals John Cusack and Tim Robbins. My family has seen this film a thousand times (and still sometimes randomly yell “Swanky Modes!” at each other). The story of two loser friends who start a music video company, the film is produced by Michael Nesmith and co-stars (big breath) Sam Moore (from Sam & Dave), Junior Walker, Susan Tyrrell, Bobcat Goldthwait, Devo, Fishbone, Jello Biafra, Mary Crosby, Don Cornelius, Jessica Walter, Doug McClure, Connie Stevens, King Cotton, Doug E. Fresh, Weird Al Yankovic and Ted Nugent. (whew!) And did I mention it’s kind of a musical?! 

 

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Last but certainly not least, this film also co-stars New Beverly friend and regular, Clu Gulager! When I first saw Clu at the Bev, I thought “Hey! It’s Norman Mart from Tapeheads!!” Clu is super awesome in this movie, and there is a scene where he – no lie – rides Susan Tyrrell in a tutu. Now how can you say no to that?!

 

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I have owned a copy on VHS since it came out, and I have shown that tape to dozens of friends over the years – and now I get the rare opportunity to show it on the big screen – to you – at midnight, this coming Saturday, August 10th.

 

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I really want to pack this screening, and get the word out about this criminally underrated film. I am hoping to show TAPEHEADS once a month at midnight for the rest of the year and try to build up an audience for it. I would love it to be like a Rocky Horror or a Scott Pilgrim! Director Bill Fishman and special guests will introduce the screening this Saturday!

 

So please, as a fellow movie lover, spread the word & help this film junkie’s dream of creating a deserving cult hit come true!

 

 

 

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